vickygoestravelling

my journey to health and well being via exotic destinations

Basel Art Fair – quality or quantity?

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img_3621.jpgHere we are again at Basel Art Fair. We are lucky this time in that we have Art First doyenne Clare Cooper to guide us.

 

We decide we need a top up on ‘proper art’ and head off to the Kunstmuseum. Their vaults are so large that there is a cornucopia of quality on every visit.

 

Feeling prepped we head off to the massive halls, where Clare advises us what look out for in the installations.

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Clare electing ‘must-see’ exhibits

My highlight is Candice Breitz’s TLDR, 2017, a video installation which portrays a community of sex workers in Cape Town. The first room has a video of a 12 year old boy narrator, accompanied by a Greek chorus of sex workers, telling how Hollywood celebrities and feminist abolitionists crusaded against Amnesty’s campaign for better rights, asking ‘how artists living privileged lives can meaningfully represent  marginalised communities’. Spot on.

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Candice Breitz

Other gems were McArthur Binion’s DNA; Subotsky & Waterhouse’s photo montage of the Ponte Tower Project;

 

More favourites were Lee Ufan’s Relatum (Iron Field); Ana Lupas Christmas trees for the years to come, one of Clare’s must-sees; Lygia Pape’s Tteia,  an intricate installation of golden threadsJenny Holzer’s hand-carved and engraved benches; and Ai WeiWei of course.

 

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Ai WeiWei – willow pattern as never before

These exist in amongst less inspirational works, such as Kostis Velonis How to build democracy making rhetorical comments; Paul Chan’s Bathers on Ogygia, 2018;  and Birdman or (the unexpected virtue of ignorance) by Lara Favaretto, featuring piles of coloured confetti, left over from Basel carnival perhaps…and some very iffy video installations, always popular.

 

Exhausted by all this, we have a quick break before heading off to the gallery halls. I can only manage one hall so stick to the more conventional area.  Landau Fine Art as ever has an immaculate collection, but there are some gorgeous Baselitz, Leger, German woodcuts, Debuffet again, Miro, Van Dongen.

 

There are some more modern works too, particularly liked Wangechi Mutu’s Dream Catcher, but some absurdities like this pile of vodka bottles.

 

After dinner with ceramicist Lucille Lewin and her husband Rick,

 

we set of for a Sunday stroll round the reliable Beyeler where there is a Bacon/Giacometti show. I had no idea he and Giacometti had shared a model, the artist Isabel Rawsthorne, so this was a revelation as was Bacon’s earlier work which made him much more accessible to me.

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The opening display

 

We enjoy the permanent collection before retiring for a lunch in their wonderful gardens.

 

 

It is enervating to visit the fair, and call me old-fashioned, but I much prefer the nuanced shows in the Beyeler or the Kunstmuseum. Until next year…I leave you with Bacon and Giacometti.53C05FD2-F44B-4894-B2AE-FF4D580A1BBE

Author: vickyunwin

I am a writer and traveller. Our darling daughter Louise died on 2 March 2011, aged 21 (www.louisecattell.com) and I started writing as therapy. We never know how long we have on this earth, so I live for every day...in November 2013 I was diagnosed and operated on for a malignant soft tissue sarcoma in the calf, followed by 6.5 weeks of radiotherapy, so am embarking on a different kind of journey which you can follow here. I also have another site www.healthylivingwithcancer.co with my blueprint for health and well-being. My husband works in Switzerland so we flit from place to place anywhere else that takes our fancy

One thought on “Basel Art Fair – quality or quantity?

  1. Keep sharing, stay motivated

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